Wolfson Enterprise 2023

What is Wolfson Enterprise 2023?

This competition is an opportunity to design, pitch, and execute your start-up idea in a supportive environment. Whether you are a postgraduate researcher thinking about commercializing and technology transfer, a first-year undergraduate interested in trying your hand at conceiving a business plan, or an alumnus currently involved in a more developed start-up venture, we want to hear from you and help you take your project to the next level.

Finalists will have a chance to win the 250£ Wolfson Enterprise Prize as well as the opportunity to present their pitches to the WES network of expert speakers and judges.

More information

Find out more about the details of the competition below.

What's on

Event Type (field_event_type)

Multicolored silhouettes of human heads in a collage forming a concept of diversity or population.

The Place of Antigypsyism within Debates on Racism

25/04/2024 at 17.00

This event is the third of three roundtables that Wolfson's REACH Research Hub will be organising over the academic year under the heading ‘Hierarchies of Racism?’

Cambridge Past and Present

26/04/2024 at 13.30

Join Emeritus Fellow Dr Brian D Cox for a talk which will delve into understanding the functioning of a collegiate university.

Graduation Ceremony

27/04/2024 at 09.00

Graduation ceremonies are the culmination of students’ hard work and commitment, and a moment to celebrate the completion of their Cambridge degree.

A dark brown vase with orange symbol on in front of a blurred background of more pottery on shelves.

Art Exhibition: Ceramics in the Bernard Leach Tradition

28/04/2024 at 10.00

A display of works from the Bradshaw-Bubier studio pottery collection.

Three skeletons depicted in a dance-like pose on a grassy field, from a historic illustration.

The Difficult Joy of Death Activism

30/04/2024 at 17.30

How we can develop ‘death activism’ – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how can trauma and mourning emerge as their own forms of expression, or even activism?

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